I Love You Bro Play Analysis Theatre Essay

I Love You Bro Play Analysis Theatre Essay The La Boite Theatre Companys production of Adam J. A. Casss I Love You, Bro , directed by David Bethold, is a play which masterfully engages and captivates the audience. It effectively tells an enthralling tale of love, deceit and manipulation. The plays protagonist, Johnny, is a troubled teen who is desperate for love. Devoid of any power in reality, online chatrooms are his only escape. It is here, on the virtual stage, where Johnny meets, seduces and manipulates the unwitting Markymark, who through the lies of Johnny, becomes a tool in an incitement of murder. Although on the surface, I Love You, Bro may seem a twisted story of devious treachery, it is in fact a simple, yet tragic anecdote of a boy whose desire to be loved supersedes any other. The play successfully engrossed the audience through its skilled use of dramatic elements. The tension which existed in the play was well cultivated by the roles and relationships excellently portrayed by a single actor. Some of the succes s in this regard can be attributed to the highly creative use of the stage, and the combination of lighting and effects, designed by Renee Mulder, Carolyn Emerson and Guy Webster. Behind the many masks which he creates, Johnny (played by Leon Cain) himself is just as intriguing a character as any he invents. Coming from a world of domestic violence, lacking any who sincerely love him, it is little wonder that he reaches out in the only way he has available to him; virtually. Early on in the play, Johnny tells the audience he was never an outgoing personality; however, as the story develops, so too does Johnnys confidence. As the main protagonist, the story follows Johnnys struggle to connect with someone, and the gradual transformation of this struggle into an unhealthy obsession. The subject of this obsession is the oblivious teen footballer, Mark. When Mark first begins conversing online with Johnny, he mistakenly believes him to be a female. Johnny plays along, eager to satisfy his desire to be needed by someone. As time progresses, the relationship between the two grows exponentially, to the point wherein Johnny believes himself to be in love with Mark, wh o was still unaware that his online lover is in fact a younger male. Throughout the course of the play, Johnny conceived a multitude of spurious characters, all of whom served to further his connection with Mark. Initially, the chain of characters began with a simple error on Marks behalf. After mistakenly believing that Johnnys online alias AlbaJay was a female character, Jessica was born. Jessica was Johnnys first creation, and became his obsession when he came to the realisation that she could act as a conductor for reciprocated love. Jessica, although starting off fairly innocently and without any intention of harm, Johnny soon begins to conceive new characters to fuel his insatiable desire to feel as though he is cared about and attempts to achieve this with his creation of two new fictitious characters. These characters are Simon, Jessicas helpless, albeit fabricated younger brother and Stings, an intimidating bully. Johnny creates these people in order to heighten Marks feelings towards him by establishing an element of danger in the relationsh ip the two share. By putting Simon in a threatened position, and then using it to pressure Mark into a predicament wherein he has limited courses of action he can take, Johnny takes the game to a much higher level, and as a direct result, vastly increases the tension in the play. Similarly, the creation of Jane Bond and Agent 41579 serve similar purposes as Johnnys previous fabrications. Jane Bond and Agent 41579 both add to the danger involved in the romance, deepening the urgency of the connection between Mark and Johnny. In addition to this, Agent 41579 is similar to Jessica in that she acts as a magnet for attention and the affection of Mark. The establishment of the new relationship between Mark and Agent 41579 created a renewed level of tension after a lull in the play, and this was only increased as the plot continued and led to the attack on Johnny. This story is played out on a quite simplistic and minimalistic set designed by Renee Mulder. It consisted of an abstract stage, which was elevated in the upstage region to creatively act as a cyclorama onto which images and videos were projected. As well as this, the stage had a simple wire framed desk structure at its most downstage point. It was to this point that the entire stage was pointed towards and focussed on. This was because the desk and the computer which sat upon it were the pinnacle of Johnnys existence. His computer was the most important part of his life. The set was an accurate reflection of his world, and how it revolved around his online presence. The jagged and sharp edges of the stage also demonstrated the disjointed and shattered life which Johnny was a part of when not on his computer. The stage also worked well in cohesion with the use of a single actor. Being a small and uncluttered stage, the focus was always directed on Johnny and his actions, and this for ced the audience to engage with him and added significantly to the plays overall delivery. Another interesting aspect of the set was the wheeled chair which so often Johnny rolled around the stage on. The use of this chair to roll around stage showed Johnnys internal conflict and indecisiveness. On numerous occasions throughout the play, Johnny could be seen rolling around stage when faced with a difficult decision. This clearly showed his opposing and clashing opinions, a metaphor for his uncertainty as to which direction to take, and ultimately, his uncertainty in himself. The action of the play was effectively accentuated by lighting and effects. For the majority of the play, the stage was lit with an azure blue tinge. The lighting effects reflected Johnnys personal feelings at any certain time. A perfect example of this was seen when Stings took over Johnny. Stings was the darker side of Johnny, and the lighting of the production captured this aspect of him perfectly. Each time Stings appeared, the lights would immediately and without warning switch off from a light colour, and the stage would be bathed in almost total darkness, with only the slightest hints of light dancing around stage.In combination with this, a distinct whipping sound effect was played to indicate the rapid and brusque change into the alter ego. After the change had occurred, a low and menacing tone was played, personifying the insidious nature of Stings. Similarly, the azure colour which was present as Johnny took the guise of Jessica showed his softer, lighter side. These light ing and sound elements were creatively used to transmit both mood and personality to the audience, as were the simple images and occasional video images projected onto the cyclorama. Director David Berthold successfully manipulated the dramatic elements of distinct roles and relationships presented in Adam J. A. Casss I Love You, Bro. Consequently, the audience is able to connect on a very powerful level with this production. The play skillfully creates tension at key points throughout the plot, and by the timely balancing of this tension, the play was thoroughly engaging.

To what extent have UK Prime ministers become “presidential”?

There are a number of reasons that the UK’s prime ministers can be called presidential. For instance Blair and Thatcher were both dominant over their government they would often ignore what their cabinet said. The PM is also very much seen as the head of state Also the PM is very much a figure head and the media portrays him as the head of the party, the government and the party ideology. The PM if he or she has a majority in the House of Commons they can pretty much pass any law that they like as long as the whips are used to enforce that the party votes the way that the leader of the party wants. Also Tony Blair was a very dominant PM, he would take his cabinet’s opinions in to consideration but quite often he would ignore what his cabinet had said and do what he wanted. For instance some members of his cabinet resigned as ministers over the Iraq war because Blair would not listen to them. But there is also an argument to say that the UK’s PM s are not presidential for instance the PM is part of the legislature and is therefore accountable to the House of Commons instead of directly to the people whereas a President is voted for directly by the people so the president is directly accountable to the public. Although it could be argued that the PM is accountable to the people through the media for instance televised debates and coverage in broadsheet newspapers. The PM is very much a figurehead and this is the way that the PM is portrayed within the media, for instance when a parties policies fail or something goes wrong with the country it will invariably be blamed on the PM as he is portrayed as the head of the party and the government even if the thing that goes wrong has nothing to do with them they will still be blamed by the public and held accountable by the House of Commons. In this sense the PM is more of a president than a Prime Minister. On the other hand the legislature and the executive is not strictly separate because the PM is a member of the legislature before they are a member of the executive and they are chosen from the legislature, whereas a president can only be a member of one of those things. For instance the President can not sit in Congress or in the Senate as well as being President people can only sit in one. The real UK head of state is the Queen but this is a ceremonial role as it is the prime minister who has the power. When Gordon Brown was Prime Minister he wanted to give powers back to the Commons these included the power to declare war, he also wanted to curb the power of the whips and he wanted all select committees to be voted by MP s instead of chosen by the PM. In conclusion I would say that the Prime minister is presidential purely because of the amount of power that the PM has over the country, as long as he has a majority in the House of Commons then the PM can exercise all of his power and it is almost impossible to stop him the government outnumbers the other parties that will want to try and stop the legislation set out by the PM.

The Image of Fool in King Lear: from Page to Sage

The Fool – from text to screen. The concept of a fool in Shakespearean plays is nearly as popular as the very figure of a fool used to be in Middle Ages at royal courts and some private households of aristocrats. The characters that could be described as fools appear in Shakespeare’s Twelfth Night (Feste) and As You Like It (Touchstone). And there is of course the most famous of the fools, named simply The Fool in Shakespeare’s King Lear – the one with reference to whom this essay is created. A fool, according to Encyclop? ia Britannica was a person, often retarded, handicapped, dwarfed or mad, kept on court for luck and amusement of his patron. Due to his questionable mental abilities he was given license to mock persons of nobility, even the king himself. The origins of his function are sought for in the tribal scapegoat, who served as a sacrifice alternative for the king. Probably for that reason he was endowed with some attributes prescribed to a king such as a bauble (mock scepter) and a motley coat. His entertaining function was marked by other attributes in his possession such as a coxcomb, bells and a horny or ass-eared hood.All those gadgets, apart from arousing amusement, served one more purpose – they made a jester stand out from all the other individuals. Even though some critics tend to perceive the Fool in King Lear as a character crucial to understanding of the play and the significance of particular characters, others are more inclined to categorize him as one of the minor characters. At some stage of King Lear’s development the figure of the Fool was even altogether removed from the play, which may constitute some indication of how different were the attitudes towards the importance of his presence in the play within the course of time.As far as transposition of the text of the play into the film script is concerned, it is particularly worth noticing that cinematic space juxtaposed to theatrical space s hows some vital dissimilarities, among which are different attitude of a producer towards presumable reactions of the audience, the supremacy of the camera’s angle over spectator’s inclination to see what takes their fancy and the possibility of creating more articulate spatial setting. Also G.Wilson Knight considers the screening of any play an outstandingly challenging quest and warns against two main failures that may occur in the production. The first one may be described as mechanical failure, when the director is trying to put the main emphasis on the melodrama, into which the play is turned, while the second one is described by the author as ‘the would-be ‘symbolical’ production’, in which some significant enigmatic and sometimes supernatural values are blurred or not displayed at all.He reports to have heard Juliet’s potion speech, which he found, by the cause of a thunder introduced arbitrarily by the scriptwriter, utterly dist urbed and demolished. He expressed a conviction, that Shakespeare would have arranged a thunder in that place, if that had been what he had intended to. Knight argues also that ‘the sounds – words and additional effects – are (.. ) given’ and all that a director or a screenwriter or particular actors are expected to do is to pour life into them and arrange a proper setting for them.So much for the possible area of scrutiny as far as some comparison between the text and the screen versions is put to question. Of course some temporal or verbal ellipses are inevitable as they are undeniably a part of producer’s license, as well as a kind of a landmark in every screen production, though the vital parts of the play should not be omitted in order to preserve the original character of the artwork.Having still some features of the analysed productions left to scrutinize, the focus may be put on the extratextual and non-verbal factors such as the costumes, t he age of the actors playing Fools, their sex, the overall attitude towards the outer world as well as their demeanour towards other characters in the play that is not strictly implied by the original text. Some leaps in text as far as they are not dictated by thrift in time of production may also prove indicatory for the moulding of the character of the Fool.If the text strays slightly from the original, this might also constitute an evidence of some deliberate interference within the character’s creation. Questions has been long posed what might be the actual age of the Fool. Maggie Williams is one of the advocates of the thesis that he ought to be presented as a young boy, which she justifies by Lear’s frequently addressing him as ‘boy’ and also by his vulnerability to poor weather conditions during the tempest, his fear at the sight of Edgar disguised as Poor Tom as well as his extraordinary attachment to Cordelia which proved itself in his pining afte r her departure .Williams’ conviction, though not isolated, is not entirely shared by some circles of literary critics and a number of producers, who tend to bestow the role of the Fool to more experienced and aged actors. Such is the case with both productions: King Lear, directed by Jonathan Miller released in 1982 and King Lear, directed by Trevor Nunn released in 2008. The character of the Fool is played in both of them by middle-aged actors: in Miller’s film it is Frank Middlemass born in 1919 and in Nunn’s film it is Sylvester McCoy born in 1943.Both actors were at their 60s at the time of each film being shot. In actuality the fool could not have been intended as a child (due to his frequent bawdy innuendos and banters), neither could he be equated to an old man, as it seems, but actually some screen versions of a play managed to picture him as one quite successfully. What can be inferred from the very text of the play is the fact that the Fool was the cl osest companion of the King.The evidence of that could be the fact of Lear’s desperate need for the Fool’s company, when he asks his servants to summon him four times in the act I scene 4 intermittently amid occupying himself with other affairs (interviewing Kent, then Oswald, then a Knight and at the end Oswald again), although, as he claims, he haven’t seen him for two days, which is not an extraordinarily long period of time. He also accompanies King from then on in every venture even in the worst conditions of the tempest until the end of act III scene 6, when he mysteriously disappears.Moreover, the text makes it evident, that the King and the Fool are in close intimacy, the indication of which is Lear’s constant addressing Fool as ‘my boy’, ‘lad’, ‘my pretty knave’ as also this line of his spoken during the storm: ‘Poor fool and knave, I have one part in my heart/ That’s sorry yet for thee. â€℠¢(3. 2. 70-71). Another clue derived from the text pertains to the Fool’s mental disposition. He is probably neither mad nor retarded in any way, which is marked by Kent’s words: ‘This is not altogether fool, my Lord’ after Fool had made it clear to the King that he had no more titles left but this of a fool.Also Gonerill seems not to underestimate Fool’s power in his actions taken against her in his many quips. She calls him ‘more knave than fool’ (I. 4. 269), which may imply that she lets him know that she can see through his witticisms and reveal his real intentions which basically come to dissuading King from trusting his daughters. This and other functions in the play, such as comforting Lear and presaging him from superfluous faith and expectations put in his daughters with aid of ‘folk-wisdom’ are ascribed to the Fool by S.L. Goldberg, who highlights also Fool’s passivity in the course of action and his pathos expressed by his loyalty and heightened feelings, being the spur of his actions. But Goldberg foreworns from over‘sentimentalizing’ Fool, as he is also ‘clear-eyed’ and knows that ‘facts and ideals are always and always will be at odds’, which he tries to express in his wry witticisms, for which Lear calls him a ‘bitter fool’ (I. 4. 119).His figure can be also perceived as a relic of ancient Greek chorus, commenting on other characters and the plot, but presumably his main function comes down to making exertions to entertain the king, or ,as Kent calls it in some moment of the play, ‘to out-jest his heart-struck injuries’. Some of these functions were amplified in particular cinematic productions and others were diminished or even expunged. This is to be analysed with reference to the abovementioned cinematic productions. Apparently in Miller’s King Lear the character of the Fool is more accentuated than in the other production.He is a kind of an old fellow, loyal to his master, who cares for his fate and is not able to come to terms with his fatal misstep of giving away his royal authority and his land to his ungrateful daughters and even worse error of disinheriting and repelling Cordelia. He acts as though he had a strong feeling of responsibility for the king and his providence and as he was striving for something more than just a mere profession of court jester. All his behaviour gives the impression that he assumes the pose of a fool solely in order to remain beside the king regardless the changeable circumstances.Being a court jester allows him to reproach the king, sometimes in extremely harsh words, which make the king look like an idiot. However, what is worth highlighting is the fact that he never does it to impress the king’s escort and other surrounding him people, but he addresses the king directly as though he was his personal counsellor. His own jokes do not amuse h im, what can be easily deduced from the fact of his ability of assuming a grave facial expression almost instantly after making some jests and fooling about.Perchance this alongside with uttering some statements unpleasant to king’s ears earns him an opinion of a ‘bitter fool’, as Lear calls him (I. 4. 119). Given this one may come to a conclusion that he forces himself to play the role of the fool as this seems to be the only way to rebuke the king and talk him through to common sense without falling out of favour as Kant did after speaking the words of truth to his seigneur. The case is utterly different with another Fool – the one played by Sylvester McCoy in Nunn’s film. He is by no means a sedate adviser caged in the uncomfortable disguise of a fool.He is a ‘fool-blooded’ fool, who actually enjoys his position on the court and aspires for nothing more. His confidentiality with the king is verily striking, especially when the specta tors see him sitting in Lear’s lap, patting his face, sleeking his hair or kissing him in a childlike manner. If the title ‘nuncle’ customarily used by court jesters in addressing the king sounds derisively spoken by Middlemass’ Fool, the same word articulated by McCoy sounds as though a child was addressing his real uncle. His jovial and at times childish behaviour contrasts with his bawdy innuendos and gestures.Unlike Middlemass’ Fool, he enjoys being the life and soul of a party, entertaining king’s escort and jesting with them. He is fond of making fool of himself, playing the spoons using them as castanets, singing and cheering others up. Moreover, he is not eager to put himself at risk. As he speaks to Goneril, he quiets himself down in order not to utter an offence. Also the last words, that Fool was meant to speak about Goneril at her court and within her presence were cut out. So were many other lines originally spoken by the Fool. T his omission sometimes results in Fool’s appearing to be talking nonsense.Passing over Fool’s lines may also have another effect: the Fool appears in the whole play as a character of secondary importance, whose only purpose is to entertain the king and his comrades. And he does it, deriving pleasure from it. As it has been illustrated, the approaches towards the Fool in literary critique and cinematography were numerous and sundry, some of them conventional and others more innovative, but definitely each one of them bore some intrinsic artistic values, which cannot be fully apprehended without scrupulous scrutiny, which couldn’t have been contained within the volume of these few pages.Nevertheless the character of the Fool in two analysed above productions was given a closer insight. Two actors performing the role of the Fool in collaboration with the directors of each production created two different images of this figure. One of them was an image of a wise old man, whose role of a king’s personal adviser and tutor required a disguise of a court jester; a ‘bitter fool’, whose witticisms were wry, acute, sardonical, but whose exertions were aimed at only one goal – to save the king: from ill-advised decisions, from madness, from despair.The other one was a full-blooded fool, whose fondness of playing for laughs and entertaining others was tangible and whose, sometimes shocking, intimacy with the king could be explained only by mental impairment. This proved that the creation of a character is not entirely and solely dependent on the source text of a play, but is largely affected by the artistic vision and the license of a producer as well as by the original and individual skills of an actor. Works cited: 1. Davies Anthony, Filming Shakespeare’s Plays.The Adaptations of Laurence Olivier, Orson Wells, Peter Brook and Akira Kurosawa, Cambridge University Press, Cambridge, New York, Oakleigh 1994. 2. Encyclop? dia Britannica Online, s. v. â€Å"fool†, accessed May 27, 2012,http://www. britannica. com/EBchecked/topic/212748/fool. 3. Goldberg S. L. , An Essay on King Lear, Cambridge University Press, London, New York 1974. 4. King Lear, DVD, directed by Jonathan Miller (1982; British Broadcasting Corporation, Time-Life Television Productions) 5. King Lear, DVD, directed by Trevor Nunn (2008; Richard Price TV Associates Ltd. 6. Knight G. Wilson, Shakespearean Production with Especial Reference to the Tragedies, Faber and Faber LTD, London 1964. 7. Shakespeare William, The Tragedy of King Lear, Halio Jay L. ed. , Cambridge University Press, Cambridge, New York, Oakleigh 1997. 8. Williams, Maggie. Shakespeare Examinations. Ed. William Taylor Thom, M. A. Boston: Ginn and Co. , 1888. Shakespeare Online. 10 Aug. 2010. (27. 05. 2012) . Sara Wilczynska ——————————————– 1 ]. See for exampl e: Williams, Maggie. Shakespeare Examinations. Ed. William Taylor Thom, M. A. Boston: Ginn and Co. , 1888. Shakespeare Online. 10 Aug. 2010. (27. 05. 2012) . [ 2 ]. See for example: Goldberg S. L. , An Essay on King Lear, Cambridge University Press, London, New York 1974, pp. 84-92. [ 3 ]. i. e. in Nahum Tate’s amended version of King Lear from 1681; see: Introduction to: Shakespeare William, The Tragedy of King Lear, Halio Jay L. ed. , Cambridge University Press, Cambridge, New York, Oakleigh 1997, p. 36. [ 4 ].See: Davies Anthony, Filming Shakespeare’s Plays. The Adaptations of Laurence Olivier, Orson Wells, Peter Brook and Akira Kurosawa, Cambridge University Press, Cambridge, New York, Oakleigh 1994, p. 8. [ 5 ]. Ibidem. [ 6 ]. Knight G. Wilson, Shakespearean Production with Especial Reference to the Tragedies, Faber and Faber LTD, London 1964, p. 47. [ 7 ]. Ibidem, p. 54. [ 8 ]. Ibidem, p. 48. [ 9 ]. Op. cit. Williams, Maggie. Shakespeare Examinations†¦ [ 10 ]. See: Shakespeare William, The Tragedy of King Lear: ‘Where’s my knave? my fool?Go you and call my fool hither’ (I. 4. 38); ‘Where’s my fool’ (I. 4. 42); ‘But where’s my fool? ’ (I,4. 60-61); ‘Go you, call hither my fool’ (I. 4. 66) [ 11 ]. Op. cit. Goldberg S. L. , An Essay on King Lear†¦ , pp 90-91. [ 12 ]. Ibidem, p. 90. [ 13 ]. Ibidem. [ 14 ]. Ibidem. [ 15 ]. It becomes particularly visible when the Fool says to the king: ‘If thou wert my fool, nuncle, I’d have thee beaten for being old before thy time. ’. When Lear asks for the explanation, Fool replies: ‘Thou shouldst not have been old till thou hadst been wise’ (I. 5. 33-36) [ 16 ].As in the case when he complains at being whipped for holding his ‘peace’ (meaning being silent in contradistinction to telling truth or telling lies as his earlier words suggest), speaking which he reaches to his crotch, as if he was peeing . [ 17 ]. The words that spoken by the Fool could have enraged Goneril were such: ‘A fox, when one has caught her,/ And such a daughter,/ Should sure to the slaughter,/ If my cap can buy a halter’ – McCoy’s Fool does not speak these words, as he probably is intended by the director as a harmless and joyful character. [ 18 ].Like when he says : ‘All that follow their noses are led by their eyes but blind men, and there’s not a nose among twenty but can smell him that’s stinking’ (2. 4. 63-65) as an explanation for why Kent should be put in the stocks for asking for the reason of King’s escort being so diminished. The rest of the lines from this speech is simply left out, so that it may look like the Fool was talking poppycock. The same situation occurs a while earlier when Fool declares with a blank stare: ‘Winter’s not gone yet, if the wild geese fly that way’ (2. 4. 43). Similarly the rest of the lines is left out.

Hook the Mouse to Catch Events Outside an Application

Learn how to track the mouse activity even when your Delphi application is not active, sits in the tray or does not have any UI at all. By installing a system-wide (or global) mouse hook you can monitor what the user is doing with the mouse and act accordingly. What Is a Hook and How Does It Work? In short, a hook is a (callback) function you can create as part of a DLL (dynamic link library) or your application to monitor the goings on inside the Windows operating system.There are 2 types of hooks — global and local. A local hook monitors things happening only for a specific program (or thread). A global hook monitors the entire system (all threads). To create a global hook you need 2 projects, 1 to make the executable file and 1 to make a DLL containing the hook procedure. Our article on working with keyboard hooks from Delphi explains how to intercept the keyboard input for controls that cannot receive the input focus (like TImage). Hooking the Mouse By design, the movement of the mouse is restricted by the size of your desktop screen (including the Windows Task Bar). When you move the mouse to the left/right/top/bottom edge, the mouse will stop — as expected (if you do not have more that one monitor). Heres an idea for the system-wide mouse hook: If for example, you want to move the mouse to the right side of the screen when it moves toward the left edge (and touches it), you might write a global mouse hook to reposition the mouse pointer. You start by creating a dynamic link library project. The DLL should export two methods: HookMouse and UnHookMouse. The HookMouse procedure calls the SetWindowsHookEx API passing the WH_MOUSE for the first parameter — thus installing a hook procedure that monitors mouse messages. One of the parameters to the SetWindowsHookEx is your callback function Windows will call when there is a mouse message to be processed: SetWindowsHookEx(WH_MOUSE, HookProc, HInstance,0) ; The last parameter (value 0) in the SetWindowsHookEx defines we are registering a global hook. The HookProc parses the mouse related messages and sends a custom message (MouseHookMessage) to our test project: function HookProc(nCode: Integer; MsgID: WParam; Data: LParam): LResult; stdcall;var   Ã‚   mousePoint: TPoint;   Ã‚   notifyTestForm : boolean;   Ã‚   MouseDirection : TMouseDirection; begin   Ã‚   mousePoint : PMouseHookStruct(Data)^.pt;   Ã‚   notifyTestForm : false;   Ã‚   if (mousePoint.X 0) then   Ã‚   begin   Ã‚  Ã‚  Ã‚   Windows.SetCursorPos(-2 Screen.Width, mousePoint.y) ;   Ã‚  Ã‚  Ã‚   notifyTestForm : true;   Ã‚  Ã‚  Ã‚   MouseDirection : mdRight;   Ã‚   end;....  Ã‚   if notifyTestForm then   Ã‚   begin   Ã‚  Ã‚  Ã‚   PostMessage(FindWindow(TMainHookTestForm, nil), MouseHookMessage, MsgID, Integer(MouseDirection)) ;   Ã‚   end;  Ã‚   Result : CallNextHookEx(Hook,nCode,MsgID,Data) ;end; Tip: Read the Win32 SDK Help files to find out about the PMouseHookStruct record and the signature of the HookProc function. Note: A hook function does not need to send anything anywhere - the PostMessage call is used only to indicate that the DLL can communicate with the outer world. Mouse Hook "Listener" The MouseHookMessage message is posted to your test project — a form named TMainHookTestForm. Youll override the WndProc method to get the message and act as needed: procedure TMainHookTestForm.WndProc(var Message: TMessage) ;begin   Ã‚   inherited WndProc(Message) ;  Ã‚   if Message.Msg HookCommon.MouseHookMessage then   Ã‚   begin   Ã‚  Ã‚  Ã‚   //implementation found in the accompanying code   Ã‚  Ã‚  Ã‚   Signal(TMouseDirection(Message.LParam)) ;   Ã‚   end;end; Of course, when the form is created (OnCreate) you call the HookMouse procedure from the DLL, when it gets closed (OnDestroy) you call the UnHookMouse procedure. Note: Hooks tend to slow down the system because they increase the amount of processing the system must perform for each message. You should install a hook only when necessary, and remove it as soon as possible.

ESL Phrases for Performing Well in Business Meetings

One of the most common requirements of business English is holding meetings in English. The following sections provide useful language and phrases for conducting meetings and making contributions to a meeting. Conducting a Meeting These phrases are useful if you need to run  a meeting. Opening Good morning/afternoon, everyone.If we are all here, lets get started / start the meeting / start. Welcoming and Introducing Please join me in welcoming (name of participant)Were pleased to welcome (name of participant)Id like to extend a warm welcome to (name of participant)Its a pleasure to welcome (name of participant)Id like to introduce (name of participant) Stating the Principal Objectives Were here today to ...Id like to make sure that we ...Our main aim today is to ...Ive called this meeting in order to ... Giving Apologies for Someone Who is Absent Im afraid.., (name of participant) cant be with us today. She is in...Unfortunately, (name of participant) ... will not be with us to day because he ...I have received apologies for absence from (name of participant), who is in (place). Reading the Minutes (notes) of the Last Meeting To begin with Id like to quickly go through the minutes of our last meeting.First, lets go over the report from the last meeting, which was held on (date)Here are the minutes from our last meeting, which was on (date) Dealing with Recent Developments Jack, can you tell us how the XYZ project is progressing?Jack, how is the XYZ project coming along?John, have you completed the report on the new accounting package?Has everyone received a copy of the Tate Foundation report on current marketing trends? Moving Forward So, if there is nothing else we need to discuss, lets move on to todays agenda.Shall we get down to business?Is there Any Other Business?If there are no further developments, Id like to move on to todays topic. Introducing the Agenda Have you all received a copy of the agenda?There are X items on the agenda. First, ... second, ... third, ... lastly, ...Shall we take the points in this order?If you dont mind, Id like to go in order today.skip item 1 and move on to item 3I suggest we take item 2 last. Allocating Roles (secretary, participants) (name of participant) has agreed to take the minutes.(name of participant), would you mind  taking the minutes?(name of participant) has kindly agreed to give us a report on ...(name of participant) will lead point 1, (name of participant) point 2, and (name of participant) point 3.(name of participant), would you mind taking notes today? Agreeing on the Ground Rules for the Meeting (contributions, timing, decision-making, etc.) We will first hear a short report on each point first, followed by a discussion of ...I suggest we go round the table first.Lets make sure we finish by ...Id suggest we ...There will be five minutes for each item.Well have to keep each item to 15 minutes. Otherwise well never get through. Introducing the First Item on the Agenda So, lets start with ...Id suggest we start with...Why dont we start with...So, the first item on the agenda isPete, would you like to kick off?Shall we start with ...(name of participant), would you like to introduce this item? Closing an Item I think that takes care of the first item.Shall we leave that item?Why dont we move on to...If nobody has anything else to add, lets ... Next Item Lets move onto the next itemNow that weve discussed X, lets now ...The next item on todays agenda is...Now we come to the question of. Giving Control to the Next Participant Id like to hand over to (name of participant), who is going to lead the next point.Next, (name of participant) is going to take us through ...Now, Id like to introduce (name of participant) who is going to ... Summarizing Before we close todays meeting, let me just summarize the main points.Let me quickly go over todays main points.To sum up, ...,.OK, why dont we quickly summarize what weve done today.In brief, ...Shall I go over the main points? Keeping the Meeting On Target (time, relevance, decisions) Were running short of time.Well, that seems to be all the time we have today.Please be brief.Im afraid weve run out of time.Im afraid thats outside the scope of this meeting.Lets get back on track, why dont we?Thats not really why were here today.Why dont we return to the main focus of todays meeting.Well have to leave that to another time.Were beginning to lose sight of the main point.Keep to the point, please.I think wed better leave that for another meeting.Are we ready to make a decision? Finishing Up Right, it looks as though weve covered the main items.If there are no other comments, Id like to wrap this meeting up.Lets bring this to a close for today.Is there Any Other Business? Suggesting and Agreeing on Time, Date and Place for the Next Meeting Can we set the date for the next meeting, please?So, the next meeting will be on ... (day), the . . . (date) of.. . (month) at ...Lets next meet on ... (day), the . . . (date) of.. . (month) at ... What about the following Wednesday? How is that? Thanking Participants for Attending Id like to thank Marianne and Jeremy for coming over from London.Thank you all for attending.Thanks for your participation. Closing the Meeting The meeting is finished, well see each other next ...The meeting is closed.I declare the meeting closed. Meeting Participation Vocabulary The following phrases are used to participate in a meeting. These phrases are useful for expressing your ideas and giving input during  a meeting. Getting the Chairpersons Attention (Mister/Madam) chairman.May I have a word?If I may, I think...Excuse me for interrupting.May I come in here? Giving Opinions Im positive that...I (really) feel that...In my opinion...The way I see things...If you ask me,... I tend to think that... Asking for Opinions Are you positive that...Do you (really) think that...(name of participant) can we get your input?How do you feel about...? Commenting Thats interesting.I never thought about it that way before.Good point!I get your point.I see what you mean. Agreeing I totally agree with you.Exactly!Thats (exactly) the way I feel.I have to agree with (name of participant). Disagreeing Unfortunately, I see it differently.Up to a point I agree with you, but...(Im afraid) I cant agree Advising and Suggesting Lets...We should...Why dont you....How/What about...I suggest/recommend that... Clarifying Let me spell out...Have I made that clear?Do you see what Im getting at?Let me put this another way...Id just like to repeat that... Requesting Information Please, could you...Id like you to...Would you mind...I wonder if you could... Asking for Repetition Im afraid I didnt understand that. Could you repeat what you just said?I didnt catch that. Could you repeat that, please?I missed that. Could you say it again, please?Could you run that by me one more time? Asking for Clarification I dont quite follow you. What exactly do you mean?Im afraid I dont quite understand what your are getting at.Could you explain to me how that is going to work?I dont see what you mean. Could we have some more details, please? Asking for Verification You did say next week, didnt you? (did is stressed)Do you mean that...?Is it true that...? Asking for Spelling Could you spell that, please?Would you mind spelling that for me, please? Asking for Contributions We havent heard from you yet, (name of participant).What do you think about this proposal?Would you like to add anything, (name of participant)?Has anyone else got anything to contribute?Are there any more comments? Correcting Information Sorry, I think you misunderstood what I said.Sorry, thats not quite right.Im afraid you dont understand what Im saying.Thats not quite what I had in mind.Thats not what I meant. Meeting Format Meetings generally follow a more or less similar structure and can be divided into the following parts: I - Introductions Opening the MeetingWelcoming and Introducing ParticipantsStating the Principal Objectives of a MeetingGiving Apologies for Someone Who is Absent II - Reviewing Past Business Reading the Minutes (notes) of the Last MeetingDealing with Recent Developments III - Beginning the Meeting Introducing the AgendaAllocating Roles (secretary, participants)Agreeing on the Ground Rules for the Meeting (contributions, timing, decision-making, etc.) IV - Discussing Items Introducing the First Item on the AgendaClosing an ItemNext ItemGiving Control to the Next Participant V - Finishing the Meeting SummarizingFinishing UpSuggesting and Agreeing  on Time, Date and Place for the Next MeetingThanking Participants for AttendingClosing the Meeting

Ap Essay Examples - 700 Words

1. Adobe Lightroom Mobile This photo editor application is free, but it’s required only creative cloud subscription And allows on all android mobiles. You can edit advanced and different sizes images from this application. Download it from Google play store. But this app’s trial validity only 30 days for creative cloud’s subscribers. 2. Autodesk Pixlr Autodesk pixlr is a free and most popular application on play store, This is the awesome photo editor app with the amazing and very popular features. There are so many awesome options for editing. This is all in one editor app for android phones to make photos. So, must try this application to make your photos much better. 3. BeFunky Photo Editor Tablets This app is not free, but the†¦show more content†¦If you need to make your natural photos more expensive and beautiful like a photoshoot, So, This application is perfect for you. Its app’s cost not much, I have much researched of this app. So, I can recommend you this editor for your smartphone. And this Photo editor will be in your budget also because its cost is too low. For more information and detail about afterlight editor check it on Google play store. 8. Fotor Photo Editor Fotor is the most used photo editor, and this is also paid picture editor. But it’s features are amazing. Which option do you want for editing? All advanced options are available in this one editor. It’s advanced editing option is the only reason to be in best photo editing apps for android. So here are the 8 best android apps for photo editing. But wait we have a bonus for you. We are going to tell you two more best free photo editor for android. 9. Photo Editor By Aviary This is one of the photo editing apps for android. This editor is free too and there are a lot of advanced options to edit photo better. You don’t need to go on PC to make the photos or edit your own photos. if your android phone’s version is low. Don’t worry this app is not requires any advanced categories options for android. 10. PicsArt Photo editor PicsArt editor is mostly for teenagers and Collage’s students who like to make their photos with theShow MoreRelatedAp History Essay example1048 Words   |  5 PagesZinn Questions – A People’s History of the United States by Howard Zinn Chapter 1 – Columbus, the Indians and Human Purpose 1. According to Zinn, what is the main purpose for writing A Peoples History of the United States? * Zinns purpose for writing this book is because he wants to tell the various point of views of the common people. 2. What is Zinns thesis for pages 1-11? * Zinns thesis for the first eleven pages is to tell/ describe events the way they happened. He starts withRead MoreAP Euro DBQ Essay examples780 Words   |  4 Pagesrevolts across Germany following the teachings of Luther, and the struggle for power between Catholicism and Protestantism. The religious schism began because of the making of Protestantism. The Catholic Church was corrupted in many ways, for example, the selling of indulgences, as Albrecht writes,†...the contribution to the chest [church funds], of the rebuilding of the said church†¦.† (Doc1). Albrecht reveals the uses of the money made by indulgences, and it is the church’s funds. Martin LutherRead More2.05A AP English Declaration Questions Essay examples742 Words   |  3 Pagesâ€Å"enemies in war, in peace, friends.† The king and Parliament bear the brunt of the colonist â€Å"wrath.† It is the king who is charged with all their grievances. His history is one â€Å"of repeated injuries and usurpations.† 10. Find, list and explain an example of parallel structure in the Declaration of Independence. a. We hold these Truths to be self-evident, -that all Men are created equal, -that they are endowed by their Creator with certain unalienable Rights, -that among these are Life, LibertyRead MoreAp European History Dbq: French Nobility Essay examples603 Words   |  3 PagesJason Billinglsey European History 9 May 2013 DBQ: French Nobility During the time period of the late sixteenth century to the late eighteenth century the concept of what nobility is and what it was conceived to be varied greatly as more modern thoughts developed and desperation of monarchs grew to meet such demand. The arguments related to nobility differed greatly, but these were the most crucial; the difference between the sword and the robe and the right to even hold such a positionRead MoreAp European History Outline Chapter 10 Essay example5639 Words   |  23 PagesMr. Dunbar AP European History Chapter 10 Outline: Renaissance and Discovery Section One: The Renaissance in Italy * Section Overview * Jacob Burckhardt, a Swiss historian, described the Renaissance as the â€Å"prototype of the modern world† in his book Civilization of the Renaissance in Italy (1860) * In Italy blossomed new secular and scientific views * People became to approach the world empirically and draw rational conclusions based on observation Read MoreAp European History Reading Questions-Chapter 15 Essay examples1631 Words   |  7 Pageswomen tended to be suspected of being witches much more often than men. However, this was not a consistent pattern found throughout Europe. In some regions, there were more men convicted of witchcraft than women, in the Lorraine region of France for example, and in Iceland, where the overwhelming majority of convictions were of men. Overall though, about 75% of those executed for witchcraft were women. So ultimately what this suggests about women in the 16th and 17th centuries is that women were notRead MoreMath Essay843 Words   |  4 PagesGeneral Information on the DBQ The required DBQ differs from the standard essays in its emphasis on your ability to analyze and synthesize historical data and assess verbal, quantitative, or pictorial materials as historical evidence. Like the standard essays, however, the DBQ is judged on its thesis and argument. Although confined to no single format, the documents are unlikely to be the familiar classics (such as the Emancipation Proclamation or the Declaration of Independence), but theirRead MoreAp Psychology1425 Words   |  6 PagesAP Psychology Free Response Questions Sample The following questions are samples of the free response questions from past AP Psychology exams. The free response sections are worth 33 1/3 percent of the total grade. Students have 50 minutes to answer two questions. The key to successfully answering these questions is to: completely define the terms using appropriate psychological terminology and then critically apply each term. Many students concentrate their efforts on the multiple-choiceRead MoreHow Different Aspects Of Economics Affect The Consumer And How Helpful It Is1228 Words   |  5 Pages Introduction To Economics Music Video Essay Caitlin Brice St. Petersburg College Abstract This essay will be explaining how different aspects of Economics affect the consumer and how helpful it is for people to understand them. Different economic ideas and concepts will be explained in detail and will include examples displaying how it applies to the average consumer. The vocabulary being explained will be terms that will indefinitely affect every consumer and will showRead MoreAnalyzing And Comprehend Works Of Literature And Math1719 Words   |  7 Pagespassed by and the AP Language Composition exam is only a short one-hundred and eighteen days away. But in the past four months, I have been able to develop the skillsets needed to analyze and comprehend works of literature and conquer the AP exam. This second quarter has definitely brought growth in my ability to analyze and comprehend literature; however, I also experienced some stagnation in my writing abilities. Throughout the second quarter, I wrote several different essays in which I was able

Leadership in Africa-Free-Samples for Students-Myassignmenthelp.com

Question: Discuss about the Leadership in Africa. Answer: Background The current assignment focuses on the challenges of leadership faced in the African sub-continent. The lack of effective leadership in Africa leads to a situation of political unrest. The region has far too many tropical gangsters who do not take into consideration sound policy advice (Johnson, 2015). The leadership crisis could be explained on the basis of the democratic transitions in Africa. The political conflicts could also be attributed to the presence of a number of multiethnic societies of Africa. As commented by Fourie, van der Merwe Van Der Merwe (2017), constant conflicts within the ethical values of the multiethnic societies leads to the situation of political unrest in Africa. The elections in Africa are subjected to international accountability (Obadare Adebanwi, 2016). The economic susceptibility of the continent subjects it to greater amount of international assistance. As argue by Johnson (2015), the misbalance in political powers makes the situation even worse. Af rica inspite of its diverse resources kept on crumpling under the pressure of leaderless adversities. The African leaders have caused the continent to lose $ 1.4 trillion from 1980 to 2010 (Fourie et al., 2017). The years added together, the economic losses are huge. The tyrannical leadership of Africa supports the emergence of social misfits which causes oppression of the freedom of the inhabitants of the continent. Challenges of leadership in Africa There are a number of leadership challenges which are eminent in the African sub-continent, which have been discussed in more details in the following sections. In this respect, the over politization of the Nigerian state could be explained on the basis of uncontrolled struggle for power, patronage and influence. There was the uprise of a local political group without commitment to social well being. The dearths of policies that have nationalistic importance have led to the political unrest within the country (Obadare Adebanwi, 2016). Some of the facts which have surfaced over here are the discrepancy in leadership style which has affected the working class of Africa greatly. It has been seen that the Nigerian management follows an autocratic leadership style where a master slave relation is given importance instead of utmost inclusion of the employees in a business organization context. Another issue which have been highlighted over here is unnecessary privatization of the state ma tters by the leaders. Some of the prime objectives of privatisation as highlighted by the state leaders are healthcare, outsourcing of clientele base within business organizations. As mentioned by Iwowo (2015), such a move led to the disengagement of the populace from the public realm. There are a number of challenges to governance in Africa such as lack of power of the civil society to demand accountability from public sector leadership (Obadare Adebanwi, 2016). Limited freedom of the media limits the voices and opinions possessed by the people of the African sub-continent. As commented by Nkomo (2015), the devolution of power to sub-national government has been viewed as a step towards re-establishment of the African state. Additionally, the lack of power possessed by local administrators, societal fragmentation is some of the factors affecting the power and autonomy of the people within the African sub-continent. There are a number of shortcomings with regards to the electoral system such as less independence of the electoral commission and suppression of the process of registration for electoral candidates. As commented by Adebanwi Obadare (2016), the culture of political parties needs to be revaluated using internal values. The first generation of African leaders were victims of British colonization. As commented by Creswell et al. (2014), the African leaders were put under immense pressure as to perform. It could be attributed to the mentality which has affected them over the course of colonization. Hence, a dominant leadership approach was followed over here which provided little autonomy to the citizens. Some of the steps which could be taken to address the issues of ineffective leadership in Africa are: Development of a strong constitution that cannot be manipulated by strong political elites by bringing forth changes in policies and mandate. Institutional arrangements for providing the inhabitants of the African continent with improved life coverage by setting up public and national forums. Additionally strengthening economic cooperation with other SAARC nations can also help in addressing some of the current issues emerged due to ineffective leadership such as poverty and poor health. In my opinion, revisiting the national policies or constitutional guidelines can help in the establishment of a greater amount of social inclusion and social equalities. Differences between traditional and modern leadership The leadership style followed in Nigeria is patriarchal where the citizens are seen as social subjects, who would strictly operate by the fixed rules and norms. In this respect, the democratic multiparties have led to a polyarchial form of government over the monarchical type (George et al., 2016). The Nigerian government followed a traditional approach to leadership and management. Additionally, the leadership approach used over here was not people centred. On the other hand adopting a transformational leadership approach could help in bringing about social reforms within the African population (George et al., 2016). Two major issues that have affected both national and international attention with respect to post-independence sub-Saharan African states are nationalist struggles that hinder the independence of the communities as a whole (Fourie et al., 2017). The main agenda of the nationalist ruler was to overthrow an exploitive ruler. Hence, alien rule was to be replaced by self g overnment and independence. In order to bring changes within the traditional leadership style followed by Africa a variety of political programmes were required to be established. Hence, it required mass support from the citizens for the implementation of the policies. However, the lack of mutual agreement within the government and the public can lead to difficulties in the implementation of the policies (Creswell et al., 2014). Therefore, the African government can bring about a number of reforms in this regard by practising a people centred approach. This could be brought about by providing the people sufficient power of expression. In this respect, the power of the press and the media could be increased. In this respect, good governance could be practised by supporting an affective decision making by ideological accountability namely through participation, decency and fairness. Conclusion The current assignment focuses on the concept of leadership challenges in Africa. The long term effect of colonization is evident within the African population as many leaders still possess the mentality that they could practise a master slave relationship with the citizens. The leaders hardly followed the sound social policies and reforms which could give equal amount of freedom to the citizens. Additionally, unequal power distribution within the states also resulted in social disharmony. Additionally, the presence of a polyarchial government helped little for the welfare and the promotion of the basic needs of the people. Therefore, development of a centralised power could also result in the equal promotion of the rights of the people. References Adebanwi, W., Obadare, E. (2016). Governance and the Unending Search for Leadership in African Politics. InGovernance and the Crisis of Rule in Contemporary Africa(pp. 1-19). Palgrave Macmillan, New York. Creswell, J., Sahu, S., Sachdeva, K. S., Ditiu, L., Barreira, D., Mariandyshev, A., ... Pillay, Y. (2014). Tuberculosis in BRICS: challenges and opportunities for leadership within the post-2015 agenda.Bulletin of the World Health Organization,92(6), 459-460. Fourie, W., van der Merwe, S. C., Van Der Merwe, B. (2017). Sixty years of research on leadership in Africa: A review of the literature.Leadership,13(2), 222-251. George, G., Corbishley, C., Khayesi, J. N., Haas, M. R., Tihanyi, L. (2016). Bringing Africa in: Promising directions for management research.Academy of Management Journal,59(2), 377-393. Iwowo, V. (2015). Leadership in Africa: rethinking development.Personnel Review,44(3), 408-429. Johnson, C. E. (2017).Meeting the ethical challenges of leadership: Casting light or shadow. London: Sage Publications, pp. 125-215. Nkomo, S. M. (2015). Challenges for management and business education in a Developmental state: The case of South Africa.Academy of Management Learning Education,14(2), 242-258. Obadare, E., Adebanwi, W. (Eds.). (2016).Governance and the Crisis of Rule in Contemporary Africa: Leadership in Transformation. Berlin: .Springer, pp. 105-225.